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Spun

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Genre: Percussion Ensemble
# of Players: 8
Level: Medium Difficult | Duration: 8:30
Publisher: C. Alan Publications | Copyright: 2011

Download mp3 | Click on images to left for score sample

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$48.00
Item #:
17750
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Notes & Instrumentation
Video
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  • Notes & Instrumentation

    The title Spun is a play on the term Fortspinnung, which can be translated to "spinning forth." After a slow & ominous introduction, the quick perpetual motion of the piece (primarily set in 12/8 meter) creates the impression of a dizzying spin from beginning to end, taking the listener on a journey through many moods & emotions.

    Genre: Percussion Ensemble | # of Players: 8
    Level: Medium Difficult | Duration: 8:30

    Instrumentation
    Bells/Crotales (2 octaves)
    Vibraphone 1 (3-octave)
    Vibraphone 2 (3-octave)
    Chimes
    Marimba 1 (4-octave)
    Marimba 2 (4-octave)
    Marimba 3 (4.3-octave)
    Marimba 4 (5-octave)

    Program Notes
    The title Spun is derived from the term Fortspinnung ("spun out" or "spinning forth"), which was a term employed by Wilhelm Fischer (1915) to describe the developmental, often sequential middle part of the ritornello in Baroque music. The composer would take a short musical idea or motif and spin it out into an entire phrase or period. It may be used to expand the pace or accelerate the pace of the piece. In "Spun," the short musical idea (C-D-A-Bb-F#-C-Eb) forms the primary theme and serves as the pitch set for much of the composition. The first 59 measures utilize only pitches from this set before exploring other chromatic key areas. As the piece spins forth, the rules set forth are quickly broken and the theme expands, becomes the accompaniment, acts as the root for the chord progression, but it is always moving forward. Additionally, after the slow & ominous introduction, the quick perpetual motion of the piece (primarily set in 12/8 meter) creates the impression of a dizzying spin from beginning to end, taking the listener on a journey through many moods & emotions.

    Spun was commissioned by Dan C. Armstrong for the Penn State Mallet Ensemble and received its premiere on November 30, 2010 at Penn State University (State College, PA).

  • Video

    • Spun, by Nathan Daughtrey

      Performed by the University of Oklahoma Percussion Ensemble Dr. Lance Drege, conductor Spun Copyright © 2011 C. Alan Publications (www.c-alanpublications.com) Also be sure to check out the performance discussion with Nathan Daughtrey! http://youtu.be/HDgaIRtVrjA ABOUT THE PIECE: The title Spun is derived from the term Fortspinnung ("spun out" or "spinning forth"), which was a term employed by Wilhelm Fischer (1915) to describe the developmental, often sequential middle part of the ritornello in Baroque music. The composer would take a short musical idea or motif and spin it out into an entire phrase or period. It may be used to expand the pace or accelerate the pace of the piece. In "Spun," the short musical idea (D-A-Bb-F#-C-Eb) forms the primary theme and serves as the pitch set for much of the composition. The first 59 measures utilize only pitches from this set before exploring other chromatic key areas. As the piece spins forth, the rules set forth are quickly broken and the theme expands, becomes the accompaniment, acts as the root for the chord progression, but it is always moving forward. Additionally, after the slow & ominous introduction, the quick perpetual motion of the piece (primarily set in 12/8 meter) create the impression of a dizzying spin from beginning to end, taking the listener on a journey through many moods & emotions. Spun was commissioned by Dan C. Armstrong and the Penn State Mallet Ensemble and received its premiere on November 30, 2010 at Penn State University (University Park, PA). ABOUT THE COMPOSER: Percussionist, composer, & educator Nathan Daughtrey (b. 1975) is a musical chameleon who uses his wide-ranging talents to adapt comfortably to a variety of environments. As a performing artist and clinician for Yamaha percussion, Vic Firth sticks and mallets, and Zildjian cymbals, he has performed and given masterclasses and clinics throughout the United States and across three continents. Nathan has recorded two solo marimba albums to date -- "Spiral Passages" and "The Yuletide Marimba" -- as well as several chamber music albums, including a recent collaboration with euphoniumist Brian Meixner titled "Praxis." With over 60 publications for percussion ensemble, concert band, orchestra, chamber ensembles, and soloists as well as an ever-growing number of commissions, Nathan balances his performing with composing, and to great acclaim. He is the only composer in the history of the Percussive Arts Society International Composition Contest to procure both 2nd and 3rd place in the same year with his percussion ensemble works "Limerick Daydreams" and "Adaptation," respectively. Nathan's compositions appear regularly on performances at PASIC, the Midwest Band and Orchestra Clinic, the Bands of America National Percussion Festival, and in concert halls and other performance venues around the world. His works have also been recorded on several albums by respected performers, including the FSU Percussion Ensemble, the Showa Wind Symphony conducted by Ray Cramer, the RoseWind Duo, and Mississippi State University. Additionally, three of his compositions for wind ensemble have been featured in three volumes of "Teaching Music Through Performance in Band." As an educator, Nathan served as a Visiting Lecturer of Percussion for three years at the University of North Carolina at Greensboro, where he taught applied percussion and conducted the Percussion Ensemble. He also served as a sabbatical replacement at the University of Oklahoma, where he taught undergraduate and graduate percussion students and conducted the world-renowned OU Percussion Orchestra. Dr. Daughtrey is currently a Visiting Lecturer of Percussion and Music Composition at High Point University (NC), where he teaches applied lessons, directs the percussion ensemble and works in collaboration with the School of Communication and Department of Dance. Nathan remains active within the Percussive Arts Society serving as a member of the Composition Contest Committee, organizing the PASIC Fun Runs on behalf of the Health and Wellness Committee, and editing the keyboard percussion articles for Percussive Notes. ABOUT THE ENSEMBLE: One of the most highly acclaimed percussion programs in the United States, the Percussion Area at the OU School of Music is recognized for excellence in the areas of pedagogy, performance, recording, commissioning, and publishing. OU percussion graduates hold positions as performers and academicians throughout the country. An associate professor in the School of Music at the University of Oklahoma, Lance Drege directs the percussion program, teaches applied percussion, conducts the OU Percussion Orchestra, and teaches other percussion related courses. From 1997-2002, Dr. Drege also served as Assistant to the Director for the School of Music. Prior to coming to OU, Drege taught public school instrumental music in Hobart, OK and Elk City, OK.
    • Spun: Discussion with Nathan Daughtrey

      Nathan Daughtrey discusses his percussion ensemble piece, "Spun" (2010). Including performance excerpts by the University of Oklahoma Percussion Orchestra, under the direction of Dr. Lance Drege. ABOUT THE PIECE: The title Spun is derived from the term Fortspinnung ("spun out" or "spinning forth"), which was a term employed by Wilhelm Fischer (1915) to describe the developmental, often sequential middle part of the ritornello in Baroque music. The composer would take a short musical idea or motif and spin it out into an entire phrase or period. It may be used to expand the pace or accelerate the pace of the piece. In "Spun," the short musical idea (D-A-Bb-F#-C-Eb) forms the primary theme and serves as the pitch set for much of the composition. The first 59 measures utilize only pitches from this set before exploring other chromatic key areas. As the piece spins forth, the rules set forth are quickly broken and the theme expands, becomes the accompaniment, acts as the root for the chord progression, but it is always moving forward. Additionally, after the slow & ominous introduction, the quick perpetual motion of the piece (primarily set in 12/8 meter) create the impression of a dizzying spin from beginning to end, taking the listener on a journey through many moods & emotions. Spun was commissioned by Dan C. Armstrong and the Penn State Mallet Ensemble and received its premiere on November 30, 2010 at Penn State University (University Park, PA). ABOUT NATHAN: Percussionist, composer, & educator Nathan Daughtrey (b. 1975) is a musical chameleon who uses his wide-ranging talents to adapt comfortably to a variety of environments. As a performing artist and clinician for Yamaha percussion, Vic Firth sticks and mallets, and Zildjian cymbals, he has performed and given masterclasses and clinics throughout the United States and across three continents. Nathan has recorded two solo marimba albums to date -- "Spiral Passages" and "The Yuletide Marimba" -- as well as several chamber music albums, including a recent collaboration with euphoniumist Brian Meixner titled "Praxis." With over 60 publications for percussion ensemble, concert band, orchestra, chamber ensembles, and soloists as well as an ever-growing number of commissions, Nathan balances his performing with composing, and to great acclaim. He is the only composer in the history of the Percussive Arts Society International Composition Contest to procure both 2nd and 3rd place in the same year with his percussion ensemble works "Limerick Daydreams" and "Adaptation," respectively. Nathan's compositions appear regularly on performances at PASIC, the Midwest Band and Orchestra Clinic, the Bands of America National Percussion Festival, and in concert halls and other performance venues around the world. His works have also been recorded on several albums by respected performers, including the FSU Percussion Ensemble, the Showa Wind Symphony conducted by Ray Cramer, the RoseWind Duo, and Mississippi State University. Additionally, three of his compositions for wind ensemble have been featured in three volumes of "Teaching Music Through Performance in Band." As an educator, Nathan served as a Visiting Lecturer of Percussion for three years at the University of North Carolina at Greensboro, where he taught applied percussion and conducted the Percussion Ensemble. He also served as a sabbatical replacement at the University of Oklahoma, where he taught undergraduate and graduate percussion students and conducted the world-renowned OU Percussion Orchestra. Dr. Daughtrey is currently a Visiting Lecturer of Percussion and Music Composition at High Point University (NC), where he teaches applied lessons, directs the percussion ensemble and works in collaboration with the School of Communication and Department of Dance. Nathan remains active within the Percussive Arts Society serving as a member of the Composition Contest Committee, organizing the PASIC Fun Runs on behalf of the Health and Wellness Committee, and editing the keyboard percussion articles for Percussive Notes. When not performing, composing or teaching, Dr. Daughtrey can be found running and biking the trails and greenways in his hometown of Greensboro, NC.
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