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Cry, The

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Genre: Percussion Ensemble
# of Players: 12
Level: Difficult | Duration: 9:30-11:00
Publisher: OU Percussion Press | Copyright: 2011

Download mp3 | Click on images to left for score sample

Price:
$60.00
Item #:
00040
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Notes & Instrumentation
Video
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  • Notes & Instrumentation

    The Cry emulates the passionate melismatic singing and sparse guitar playing found in cante jondo ("deep song") and flamenco music. The virtuosic singing is emulated throughout the ensemble in long flourishes that are full of twists and turns. The antiphonal castanet players help bring in the flamenco elements to the piece, as well as the sounds of flamenco dancers tapping, stomping and clapping in rhythm.

    Genre: Percussion Ensemble | # of Players: 12
    Level: Difficult | Duration: 9:30-11:00

    Instrumentation
    Bells & Crotales
    Xylophone
    Chimes & Slapstick
    Vibraphone 1
    Vibraphone 2
    Marimba 1 (4-octave)
    Marimba 2 (4.3-octave)
    Marimba 3 (4.5-octave)
    Marimba 4 (5-octave)
    Percussion 1 (stage left: castanets, bell tree)
    Percussion 2 (stage right: castanets, mark tree, suspended cymbal)
    Percussion 3 (2 timpani, large concert bass drum, large marching bass drum or kick bass, tam-tam, ocean drum)

    Program Notes
    Based on a colorful poem by Federico García Lorca with vivid imagery and a wonderful arc, The Cry was commissioned and premiered by the University of Oklahoma Percussion Orchestra, conducted by Dr. Lance Drege. The work divides into 5 primary sections: Paisaje (“Landscape”) La Guitarra (“The Guitar”) El Grito (“The Cry”) Un Silencio Ondulado (“A Rolling Silence”) Tierra de Luz, Cielo de Tierra (“Earth of Light, Sky of Earth”) Federico García Lorca was extremely interested in the Spanish gypsy music known as Cante Jondo (or "Deep Song"), which is the purist and most natural precursor to Flamenco music. It is filled with passionate melismatic singing and sparse guitar playing. Great care has been taken to differentiate between the more popular Flamenco form and Cante Jondo, always emphasizing that the latter is the purer and more serious of the two forms. It is this struggle that is at the heart of "The Cry." The virtuosic singing is emulated throughout the ensemble in long flourishes that are full of twists and turns. The antiphonal castanet players help bring in the flamenco elements to the piece, as well as the sounds of flamenco dancers tapping, stomping and clapping in rhythm. Most important in composing this piece was that the beautiful words of García Lorca and the form of his poem are represented.

    About the OU Percussion Press
    In 1977 the OU Percussion Orchestra and Ensemble embarked on a project that developed into a national model for the encouragement and development of new music for percussion ensemble. The OU Percussion Ensemble Commissioning Series regularly engages outstanding composers to write works for this medium. The Commissioning Series is responsible for the creation of some of today`s staples in the percussion ensemble repertoire.

    In 1983 the University of Oklahoma funded the establishment of the OU Percussion Press, a non-profit extension of the percussion area. Through the Percussion Press, the commissioning series compositions plus other works expressly written for the OU Percussion Orchestra and Ensembles have been made available for purchase and performance by the world`s leading percussion ensembles. The Percussion Press` catalog numbers more than 50 works, all published in a non-profit venture as a service to the profession.

  • Video

    • The Cry: An Andalusian Fantasy, by Nathan Daughtrey

      Performed by the University of Oklahoma Percussion Ensemble Dr. Lance Drege, conductor The Cry: An Andalusian Fantasy Copyright © 2010 C. Alan Publications (www.c-alanpublications.com) Also be sure to check out the performance discussion with Nathan Daughtrey! http://youtu.be/MdBVKL9cOpo ABOUT THE PIECE: Based on a colorful poem by Federico García Lorca with vivid imagery and a wonderful arc, The Cry was commissioned by the OU Percussion Press and the University of Oklahoma Percussion Orchestra, directed by Dr. Lance Drege. The work divides into 5 primary sections: Paisaje ("Landscape") La Guitarra ("The Guitar") El Grito ("The Cry") Un Silencio Ondulado ("A Rolling Silence") Tierra de Luz, Cielo de Tierra ("Earth of Light, Sky of Earth") Federico García Lorca was extremely interested in the Spanish gypsy music known as Cante Jondo (or "Deep Song"), which is the purist and most natural precursor to Flamenco music. It is filled with passionate melismatic singing and sparse guitar playing. Great care has been taken to differentiate between the more popular Flamenco form and Cante Jondo, always emphasizing that the latter is the purer and more serious of the two forms. It is this struggle that is at the heart of "The Cry." The virtuosic melismatic singing is emulated throughout the ensemble in long flourishes that are full of twists and turns. The antiphonal castanet players help bring in the flamenco elements to the piece, as well as the sounds of flamenco dancers tapping, stomping and clapping in rhythm. Most important in composing this piece was that the beautiful words of García Lorca and the form of his poem are represented. ABOUT THE COMPOSER: Percussionist, composer, & educator Nathan Daughtrey (b. 1975) is a musical chameleon who uses his wide-ranging talents to adapt comfortably to a variety of environments. As a performing artist and clinician for Yamaha percussion, Vic Firth sticks and mallets, and Zildjian cymbals, he has performed and given masterclasses and clinics throughout the United States and across three continents. Nathan has recorded two solo marimba albums to date -- "Spiral Passages" and "The Yuletide Marimba" -- as well as several chamber music albums, including a recent collaboration with euphoniumist Brian Meixner titled "Praxis." With over 60 publications for percussion ensemble, concert band, orchestra, chamber ensembles, and soloists as well as an ever-growing number of commissions, Nathan balances his performing with composing, and to great acclaim. He is the only composer in the history of the Percussive Arts Society International Composition Contest to procure both 2nd and 3rd place in the same year with his percussion ensemble works "Limerick Daydreams" and "Adaptation," respectively. Nathan's compositions appear regularly on performances at PASIC, the Midwest Band and Orchestra Clinic, the Bands of America National Percussion Festival, and in concert halls and other performance venues around the world. His works have also been recorded on several albums by respected performers, including the FSU Percussion Ensemble, the Showa Wind Symphony conducted by Ray Cramer, the RoseWind Duo, and Mississippi State University. Additionally, three of his compositions for wind ensemble have been featured in three volumes of "Teaching Music Through Performance in Band." As an educator, Nathan served as a Visiting Lecturer of Percussion for three years at the University of North Carolina at Greensboro, where he taught applied percussion and conducted the Percussion Ensemble. He also served as a sabbatical replacement at the University of Oklahoma, where he taught undergraduate and graduate percussion students and conducted the world-renowned OU Percussion Orchestra. Dr. Daughtrey is currently a Visiting Lecturer of Percussion and Music Composition at High Point University (NC), where he teaches applied lessons, directs the percussion ensemble and works in collaboration with the School of Communication and Department of Dance. ABOUT THE ENSEMBLE: One of the most highly acclaimed percussion programs in the United States, the Percussion Area at the OU School of Music is recognized for excellence in the areas of pedagogy, performance, recording, commissioning, and publishing. OU percussion graduates hold positions as performers and academicians throughout the country. An associate professor in the School of Music at the University of Oklahoma, Lance Drege directs the percussion program, teaches applied percussion, conducts the OU Percussion Orchestra, and teaches other percussion related courses. From 1997-2002, Dr. Drege also served as Assistant to the Director for the School of Music. Prior to coming to OU, Drege taught public school instrumental music in Hobart, OK and Elk City, OK.
    • The Cry: Discussion with Nathan Daughtrey

      Nathan Daughtrey discusses his percussion ensemble piece, "The Cry: An Andalusian Fantasy" (2010). Including performance excerpts by the University of Oklahoma Percussion Orchestra, under the direction of Dr. Lance Drege. ABOUT THE PIECE: Based on a colorful poem by Federico García Lorca with vivid imagery and a wonderful arc, The Cry was commissioned by the OU Percussion Press and the University of Oklahoma Percussion Orchestra, directed by Dr. Lance Drege. The work divides into 5 primary sections: Paisaje ("Landscape") La Guitarra ("The Guitar") El Grito ("The Cry") Un Silencio Ondulado ("A Rolling Silence") Tierra de Luz, Cielo de Tierra ("Earth of Light, Sky of Earth") Federico García Lorca was extremely interested in the Spanish gypsy music known as Cante Jondo (or "Deep Song"), which is the purist and most natural precursor to Flamenco music. It is filled with passionate melismatic singing and sparse guitar playing. Great care has been taken to differentiate between the more popular Flamenco form and Cante Jondo, always emphasizing that the latter is the purer and more serious of the two forms. It is this struggle that is at the heart of "The Cry." The virtuosic melismatic singing is emulated throughout the ensemble in long flourishes that are full of twists and turns. The antiphonal castanet players help bring in the flamenco elements to the piece, as well as the sounds of flamenco dancers tapping, stomping and clapping in rhythm. Most important in composing this piece was that the beautiful words of García Lorca and the form of his poem are represented. ABOUT THE COMPOSER: Percussionist, composer, & educator Nathan Daughtrey (b. 1975) is a musical chameleon who uses his wide-ranging talents to adapt comfortably to a variety of environments. As a performing artist and clinician for Yamaha percussion, Vic Firth sticks and mallets, and Zildjian cymbals, he has performed and given masterclasses and clinics throughout the United States and across three continents. Nathan has recorded two solo marimba albums to date -- "Spiral Passages" and "The Yuletide Marimba" -- as well as several chamber music albums, including a recent collaboration with euphoniumist Brian Meixner titled "Praxis." With over 60 publications for percussion ensemble, concert band, orchestra, chamber ensembles, and soloists as well as an ever-growing number of commissions, Nathan balances his performing with composing, and to great acclaim. He is the only composer in the history of the Percussive Arts Society International Composition Contest to procure both 2nd and 3rd place in the same year with his percussion ensemble works "Limerick Daydreams" and "Adaptation," respectively. Nathan's compositions appear regularly on performances at PASIC, the Midwest Band and Orchestra Clinic, the Bands of America National Percussion Festival, and in concert halls and other performance venues around the world. His works have also been recorded on several albums by respected performers, including the FSU Percussion Ensemble, the Showa Wind Symphony conducted by Ray Cramer, the RoseWind Duo, and Mississippi State University. Additionally, three of his compositions for wind ensemble have been featured in three volumes of "Teaching Music Through Performance in Band." As an educator, Nathan served as a Visiting Lecturer of Percussion for three years at the University of North Carolina at Greensboro, where he taught applied percussion and conducted the Percussion Ensemble. He also served as a sabbatical replacement at the University of Oklahoma, where he taught undergraduate and graduate percussion students and conducted the world-renowned OU Percussion Orchestra. Dr. Daughtrey is currently a Visiting Lecturer of Percussion and Music Composition at High Point University (NC), where he teaches applied lessons, directs the percussion ensemble and works in collaboration with the School of Communication and Department of Dance. ABOUT THE ENSEMBLE: One of the most highly acclaimed percussion programs in the United States, the Percussion Area at the OU School of Music is recognized for excellence in the areas of pedagogy, performance, recording, commissioning, and publishing. OU percussion graduates hold positions as performers and academicians throughout the country. An associate professor in the School of Music at the University of Oklahoma, Lance Drege directs the percussion program, teaches applied percussion, conducts the OU Percussion Orchestra, and teaches other percussion related courses. From 1997-2002, Dr. Drege also served as Assistant to the Director for the School of Music. Prior to coming to OU, Drege taught public school instrumental music in Hobart, OK and Elk City, OK.
    • The Cry by Nathan Daughtrey

      The TCU Percussion Orchestra performs "The Cry" by Nathan Daughtrey live on 11-7-2016 at TCU. Published by OU Percussion Press distributed by and C. Alan Publications (www.C-AlanPublications.com). Posted with permission of the composer and publisher.
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