Percussion Solos

As implied by the title, Portraits from a City Window explored four different scenes one may observe from such an angle. “Morning Light” represents the beauty of a sunrise over skyscrapers, while “Rush...

As implied by the title, Portraits from a City Window explored four different scenes one may observe from such an angle. “Morning Light” represents the beauty of a sunrise over skyscrapers, while “Rush...

This two-movement concert vibraphone work utilizes many intriguing harmonies. The first movement is slow and free leaves a lot of room for interpretation, while the second movement is constantly moving with sixteenths and a...

This two-movement concert vibraphone work utilizes many intriguing harmonies. The first movement is slow and free leaves a lot of room for interpretation, while the second movement is constantly moving with sixteenths and a...

Originally titled, Prelude and Nocturne for the left hand, Op. 9 no. 1&2, this piece is composed of two movements and is originally written in 1894 for piano and strictly for the left hand. The musical style of the piece...

Originally titled, Prelude and Nocturne for the left hand, Op. 9 no. 1&2, this piece is composed of two movements and is originally written in 1894 for piano and strictly for the left hand. The musical style of the piece...

Both of these two lovely marimba solos express a sense of nostalgia. The Prelude is a chorale that leaves nearly every aspect of musical interpretation up to the performer. Reverie is a beautiful, lyrical piece filled with...

Both of these two lovely marimba solos express a sense of nostalgia. The Prelude is a chorale that leaves nearly every aspect of musical interpretation up to the performer. Reverie is a beautiful, lyrical piece filled with...

Prelude 1.5 for solo timpani is a contrast in minimalistic ideas and harmonic intentions inspired by J.S. Bach. It consists of an introduction of rising fourths, computer-like passages, long tones, and an odd waltz filled...

Prelude 1.5 for solo timpani is a contrast in minimalistic ideas and harmonic intentions inspired by J.S. Bach. It consists of an introduction of rising fourths, computer-like passages, long tones, and an odd waltz filled...

After a brief 4-bar chorale intro, Prelude for Marimba becomes a bouncy, jovial romp based on the simple chord progression set forth in the opening measures.Genre: Marimba (4-mallet) | # of Players: 1 Level: Medium |...

After a brief 4-bar chorale intro, Prelude for Marimba becomes a bouncy, jovial romp based on the simple chord progression set forth in the opening measures.Genre: Marimba (4-mallet) | # of Players: 1 Level: Medium |...

Sergei Rachmaninoff’s Prelude in C# Minor, Op. 3, No. 2 is one from a set of 24 preludes for solo piano that covers all of the major and minor keys, emulating earlier sets by Bach, Chopin, Scriabin, and others. It...

Sergei Rachmaninoff’s Prelude in C# Minor, Op. 3, No. 2 is one from a set of 24 preludes for solo piano that covers all of the major and minor keys, emulating earlier sets by Bach, Chopin, Scriabin, and others. It...

The Principle of Polarity is one of the seven Hermetic (occult or secret) principles. It embodies the idea that everything is dual, everything has two poles, and everything has its opposite. All manifested things have two...

The Principle of Polarity is one of the seven Hermetic (occult or secret) principles. It embodies the idea that everything is dual, everything has two poles, and everything has its opposite. All manifested things have two...