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Whatcha Baion? is designed to be a flexible composition for early percussion programs or schools that desire to introduce students to percussion ensemble. It opens with a 2/3 clave, systematically layers additional percussion voices on top, and...

Commissioned by Dr. Brian A. West and the TCU Percussion Orchestra for the opening of the Van Cliburn Concert Hall in the beautiful new TCU Music Center, Momentum is a fanfare for non-pitched percussion ensemble in surround sound. The piece immerses...

Topsy Turvy was written for the C. Alan Publications Ignite Series, which features entertaining yet flexible pieces for young percussion ensembles. It is meant to conjure up all of the fun one might experience at the circus.Genre: Percussion...

In a display of percussion virtuosity, Axiom goes through many style, meter and texture changes. The piece borrows its shifting and changing time signatures from odd-meter progressive rock – even fully giving in to a common time backbeat...

After an ominous opening, The Falcon Ascending takes flight with a blazing syncopated theme that alternates between 3/4 and 2/4. A brief, lush chorale section contrasts the joyride that bookends it, with the piece finishing with the thrilling flight...

Commissioned by The Green Vibes Project, A Castle in the Air is a challenging and colorful work for solo vibraphone. The title is an idiom referring to a daydream, a near impossibility, or scheme. As the piece progresses, it travels through several...

Scored for percussion quintet with optional offstage percussionist(s), Thundersnow is mysterious, mesmerizing, bold, but also extremely delicate at times: much like the storms themselves.Genre: Flexible Percussion Ensemble | # of Players: 5-6+...

"Mō Lì Huā" (Jasmine Flower) is a beloved Chinese folk song often sung during holidays and festive gatherings. Yin incorporated ornaments inspired by traditional Chinese music, such as a gradual transition from slow to fast trills in the...