Salon Morisot: Devotion (Band Gr. 2)

Salon Morisot is a suite of three miniatures that are inspired by the remarkable artistry of little known female French impressionist artist, Berthe Morisot (1841-1895). Morisot was highly admired by her fellow Impressionist colleagues and her works were exhibited in the very first (and many consequential) Impressionist ‘Salon’ of 1874 (a Salon being an exhibition). This second movement from the suite is inspired by Morisot's artwork called "The Cradle" and is a perfect addition to a program dedicated to Mother's and care givers.

Genre: Band | # of Players: Standard
Series: Emerging
Level: 2 | Duration: 3:30

Instrumentation
Conductor's Score (A4 spiral bound booklet)

Flute
Oboe
B-flat Clarinet 1 & 2
Alto Saxophone
Tenor Saxophone
Baritone Saxophone
B-flat Trumpet 1 & 2
F Horn
Trombone/Baritone/Bassoon
Tuba

Keyboard

Timpani (optional)
Mallets 1, 2, 3: Glockenspiel, Metallophone/Vibraphone/Bells
Percussion 1, 2, 3: Triangle, Cymbals, Bass Drum

Program Notes
Salon Morisot is a suite of three miniatures that are inspired by the remarkable artistry of little known female French impressionist artist, Berthe Morisot (1841-1895). Morisot was highly admired by her fellow Impressionist colleagues and her works were exhibited in the very first (and many consequential) Impressionist ‘Salon’ of 1874 (a Salon being an exhibition). Many famous artists held an original Morisot artwork in their private collections including Manet, Monet, Degas and Pissaro. Morisot married Édouard Manet’s younger brother Eugene Manet and her painting styles are regarded as a driving force behind the Impressionist style. The three miniatures in this program are inspired by three Morisot artworks that depict a particular period in her life. The second movement, Devotion, was inspired by the painting ‘The Cradle’ (1873) This delicate and revealing artwork again features Morisot’s sister, but this time in a maternal role with her newly born daughter, Blanche. At the time this was painted, Berthe Morisot was 31 years old and unmarried. In her letters to her sister, Berthe was torn between her passion for painting and her desire to marry and become a Mother. The tension displayed in this artwork suggest a Mother’s fatigue and mixed emotions about the daunting task of raising a child. Hence, I have written this work to suggest the cycle of emotions a new parent feels when their child is born including nervousness, joy, intense love and even a little trepidation. The work begins and ends the same way to represent this ongoing succession of sensations that can be felt over the course of a day, a moment, a lifetime, as suggested in the artwork ‘The Cradle’. This work was commissioned by Clarkston Schools Instrumental Music Association in recognition of Shelley Schwaderer Roland's many years of dedication to the Clarkston School Music Program and the University of Wisconsin (Eau Claire), Director of Bands, Dr. John Stewart.