Percussion Solos

Written for marimbist Nina Fujisawa, Daiki Kato's arrangement of the classic hymn Amazing Grace explores the full range of the marimba, featuring lush rolls, arpeggiated flourishes, and bluesy elements, making it a unique...

Written for marimbist Nina Fujisawa, Daiki Kato's arrangement of the classic hymn Amazing Grace explores the full range of the marimba, featuring lush rolls, arpeggiated flourishes, and bluesy elements, making it a unique...

DOWNLOAD ELECTRONIC ACCOMPANIMENT A fast paced, rhythmic gem. The timpanist has the opportunity to perform complex, strictly metered rhythms as well as some rubato sections of free playing. The score calls for extensive...

DOWNLOAD ELECTRONIC ACCOMPANIMENT A fast paced, rhythmic gem. The timpanist has the opportunity to perform complex, strictly metered rhythms as well as some rubato sections of free playing. The score calls for extensive...

A brilliant fusion of classical and modern idioms and harmonies bring this piece to the forefront of contemporary composition. A virtuosic and technical beast, this piece is a must for the modern marimbist.Genre: Marimba...

A brilliant fusion of classical and modern idioms and harmonies bring this piece to the forefront of contemporary composition. A virtuosic and technical beast, this piece is a must for the modern marimbist.Genre: Marimba...

Apparitions for solo marimba reflects on the notion of a memory, thought, or sensation that has a tendency to resurface. Genre: Marimba (4-mallet) | # of Players: 1 Level: Medium | Duration: 6:00 InstrumentationMarimba...

Apparitions for solo marimba reflects on the notion of a memory, thought, or sensation that has a tendency to resurface. Genre: Marimba (4-mallet) | # of Players: 1 Level: Medium | Duration: 6:00 InstrumentationMarimba...

Dedicated to marimbist Nanae Mimura, Apsara #1 opens and closes with a lyrical and expansive melody, at first rolled, then arpeggiated at the end. The virtuosic middle section is fast and furious and requires technical...

Dedicated to marimbist Nanae Mimura, Apsara #1 opens and closes with a lyrical and expansive melody, at first rolled, then arpeggiated at the end. The virtuosic middle section is fast and furious and requires technical...

Dedicated to marimbist Michael Burritt, this piece serves as a great etude for working on double laterals in both hands through the use of triplets and the whole tone scale. Although Kaiser labels Apsara #2 as a technical...

Dedicated to marimbist Michael Burritt, this piece serves as a great etude for working on double laterals in both hands through the use of triplets and the whole tone scale. Although Kaiser labels Apsara #2 as a technical...

Aqueous Transfusion is a meditative work for solo vibraphone and background track, featuring a metallic orchestra accompanying an evocative solo part. A general feeling of ‘underwater’-ness permeates the track,...

Aqueous Transfusion is a meditative work for solo vibraphone and background track, featuring a metallic orchestra accompanying an evocative solo part. A general feeling of ‘underwater’-ness permeates the track,...

Written for Michael Rosen, Arctic opens with a brief, slightly dissonant rolled section followed by many changes in mood (from desolation to hope to doubt to regret). The piece works as both a recital piece and an etude to...

Written for Michael Rosen, Arctic opens with a brief, slightly dissonant rolled section followed by many changes in mood (from desolation to hope to doubt to regret). The piece works as both a recital piece and an etude to...