Percussion

Bon Temps was written for Gustavo Miranda and his students at Nicholls State University. The title Bon Temps comes from the Louisiana saying, "Laissez les bon temps rouler" or "Let the good times roll." NSU premiered this...

Bon Temps was written for Gustavo Miranda and his students at Nicholls State University. The title Bon Temps comes from the Louisiana saying, "Laissez les bon temps rouler" or "Let the good times roll." NSU premiered this...

Bring your groove, expression, and energy for this exciting piece. From the huge opening statement followed by a couple of quirky sections, a gentle rolling melody, and a rockin’ ending, this piece is a sure crowd...

Originally written for unaccompanied marimba, Bon Voyage was expanded to include percussion sextet accompaniment at the request of Christopher Nguyen and the Salyards Middle School Percussion Ensemble for their performance...

Originally written for unaccompanied marimba, Bon Voyage was expanded to include percussion sextet accompaniment at the request of Christopher Nguyen and the Salyards Middle School Percussion Ensemble for their performance...

Bring your groove, expression, and energy for this exciting piece. From the huge opening statement followed by a couple of quirky sections, a gentle rolling melody, and a rockin’ ending, this piece is a sure crowd...

Use this unique book to enhance the type of musical intelligence expected from today’s percussionist. ACCESS DOWNLOADABLE ELECTRONIC ACCOMPANIMENTSGenre: Etude Book# of Players: 1 + Optional Electronic...

The only true method for teaching percussion based on the Common Elements Approach. Absolutely essential information for all teachers. A new day of teaching percussion has just begun. Perfect for your college percussion...

Beginning with driving rhythms reminiscent of the Australian Outback, shifting to a delicate melody that is passed around the ensemble, and ending with a return of the original theme. Boomerang is scored for 8-10 players and...

Beginning with driving rhythms reminiscent of the Australian Outback, shifting to a delicate melody that is passed around the ensemble, and ending with a return of the original theme. Boomerang is scored for 8-10 players and...

Beginning with driving rhythms reminiscent of the Australian Outback, shifting to a delicate melody that is passed around the ensemble, and ending with a return of the original theme. Boomerang is scored for 8-10 players and...

Infused with the sounds of Bernstein, Gershwin, and a brief nod to Dizzy Gillespie, Bounce features the trumpet as both a classical and a jazz instrument, offering moments of blazing virtuosity and flexible improvisation...

Infused with the sounds of Bernstein, Gershwin, and a brief nod to Dizzy Gillespie, Bounce features the trumpet as both a classical and a jazz instrument, offering moments of blazing virtuosity and flexible improvisation...

Infused with the sounds of Bernstein, Gershwin, and a brief nod to Dizzy Gillespie, Bounce features the trumpet as both a classical and a jazz instrument, offering moments of blazing virtuosity and flexible improvisation...

Boundary Conditions is a work for solo multi-percussionist and string quartet that explores polyrhythms with rhythmic intensity from start to finish. A true tour de force for the soloist and quartet!Genre: Solo Percussion...

The piece opens freely with a quick 32nd note pattern to be repeated ad lib with written dead strokes to be interspersed throughout. Out of this section comes a more structured multi-meter section (4/4, 7/4, 5/4, 6/4) before...