Percussion Ensemble

Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking.Genre: Percussion Ensemble | # of Players: 10-11 Level: Medium |...

Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking.Genre: Percussion Ensemble | # of Players: 10-11 Level: Medium |...

Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking.Genre: Percussion Ensemble | # of Players: 10-11 Level: Medium |...

After a free, improvisational introduction with many special effects (bass drum roll inside piano, bowed tam-tam, wire brush on piano string, etc.), the tempo takes off in a fast triple meter. Eighths and sixteenths get...

After a free, improvisational introduction with many special effects (bass drum roll inside piano, bowed tam-tam, wire brush on piano string, etc.), the tempo takes off in a fast triple meter. Eighths and sixteenths get...

After a free, improvisational introduction with many special effects (bass drum roll inside piano, bowed tam-tam, wire brush on piano string, etc.), the tempo takes off in a fast triple meter. Eighths and sixteenths get...

This percussion sextet written predominantly in 6/4 phrases in alternating bars of 5/8 and 7/8. The 6/4 motivic development blends and creates a rhythmic tension against the 2-3-2-2-3 beaming. A rhythmic motif of sixteenth...

This percussion sextet written predominantly in 6/4 phrases in alternating bars of 5/8 and 7/8. The 6/4 motivic development blends and creates a rhythmic tension against the 2-3-2-2-3 beaming. A rhythmic motif of sixteenth...

This percussion sextet written predominantly in 6/4 phrases in alternating bars of 5/8 and 7/8. The 6/4 motivic development blends and creates a rhythmic tension against the 2-3-2-2-3 beaming. A rhythmic motif of sixteenth...

An exciting trio for battery percussion that explores the textures and timbres available to a percussionist while traveling through a vast number of meter changes and styles.Genre: Percussion Ensemble | # of Players: 3...

An exciting trio for battery percussion that explores the textures and timbres available to a percussionist while traveling through a vast number of meter changes and styles.Genre: Percussion Ensemble | # of Players: 3...

An exciting trio for battery percussion that explores the textures and timbres available to a percussionist while traveling through a vast number of meter changes and styles.Genre: Percussion Ensemble | # of Players: 3...

Inspired by the composer's love of shoes, Cool Kicks allows all performers to play at least one instrument utilizing their feet and draws inspiration from songs and artists who also celebrate their love of sneakers. We are...

Inspired by the composer's love of shoes, Cool Kicks allows all performers to play at least one instrument utilizing their feet and draws inspiration from songs and artists who also celebrate their love of sneakers. We are...

In Fellinger's "junky" piece "Don't Talk Trash," oil barrels, buckets, various household bowls, iron pipes tuned, car brake drums, aluminum tubes, and four thunder sheets are all used. You and your students will not only...

Much dialog between the solo part and the percussion parts is used to create an exciting ensemble dynamic. A great deal of time, the solo part sits atop the other parts, but also at time is required to function as part of...