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Genre: Marimba (4-mallet)
# of Players: 1
Level: Medium | Duration: 5:30
Publisher: C. Alan Publications | Copyright: 2020
Download mp3 | Click on images to left for score sample

Open space is a valuable resource, but it is not singularly perceived. Open space can be vast and create a sense of isolation. It can be felt as unending, a necessary but tedious passageway between here and there. Open space can be majestic and beautiful; welcome evidence of an ingenious creator. Gottry musically & masterfully renders these three perceptions in this solo work for low-A marimba.
Genre: Marimba (4-mallet) | # of Players: 1
Level: Medium | Duration: 5:30
Instrumentation
Marimba (4.3-octave)
Program Notes
Open space is a valuable resource, but it is not singularly perceived. Open space can be vast and create a sense of isolation. It can be felt as unending, a necessary but tedious passageway between here and there. Open space can be majestic and beautiful; welcome evidence of an ingenious creator. In this work for solo marimba, I’ve attempted to musically render these three perceptions. The opening and closing passages are intentionally filled with space and may be stretched and manipulated by the performer, uninhibited by any other influence. The sixteenth note passages are representative of long drives through the desert, a reality of virtually any travel from my home in Phoenix to just about anywhere else. While constant and relatively uninterrupted, even in this space there is variation if you keep looking or listening for it. Finally, in the triplet passage, we find beauty; simplistically scored without too much activity but easily the most melodic portion of the solo.
– J.G.
“Open Spaces” is a pleasingly tonal intermediate work for solo four-mallet marimba. The work is in four sections, opening with a “molto rubato” passage representative of musical space with its slow tempo, long note values, and frequent rests. This section transitions into the next with a tempo modulation. Sixteenth notes occur throughout this section, meant to represent the open spaces of a long drive through the desert. This moves into a slower triplet section that also consists of mostly perpetual rhythm. “Open Spaces” ends with a repetition of the opening section.
This piece works well as an intermediate-level project, and I appreciate the accessibility of writing for a low-A marimba. Technically, “Open Spaces” utilizes rotation strokes in various permutations, single-mallet playing, and right-hand double stops. There is also lots of room for expression, especially in the rubato sections that begin and end the piece. Its approximate five-minute length is also appealing in that it could work as an effective short-term project for an advanced high school or undergraduate performer. Bravo to Mr. Gottry for another excellent and educational marimba solo!
Joseph Van Hassel
Percussive Notes
Vol. 59, No. 4, August 2021 Joseph Van Hassel on Jun 30th 2022