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Genre: Marimba
# of Players: 1
Level: Medium | Duration: ca. 20:15
Publisher: C. Alan Publications | Copyright: 2018
Download mp3 | Click on images to left for score sample

Studies in Rosewood is a delightful collection of 10 intermediate solos for 4-mallet marimba, each providing opportunities to focus on technique, musicianship, and analysis.
Genre: Marimba | # of Players: 1
Level: Medium | Duration: ca. 20:15
Instrumentation
4.5-octave Marimba
Program Notes
Studies in Rosewood was born out of the idea that I, both performing and teaching, too often experience a lack of theoretical understanding of the music being played. This collection is meant to guide students and teachers through three equally necessary aspects of successfully performing each of the ten etudes:
Technique, Musicianship, and Analysis
As the technical demand progresses throughout the book, so do the musical and analytical demands. Thus, students and teachers can use this book as a progressive workbook for all three means of growth as a marimbist and musician. The technique section preceding each etude gives suggestions of exercises to use as a warm-up before practicing the music, as well as tips for especially difficult passages. The musicianship section includes information about style, musicality, phrasing, and how to practice musically (not just focusing on correct notes with no musicality). Finally, the analysis section allows for a theoretical discussion about elements such as form, meter, chord quality, and Roman numeral analysis. The intended result is that after successfully performing each etude, the student feels a full sense of understanding of the music and that the student will carry this approach into more advanced literature once he or she progresses out of this collection.
Studies in Rosewood is a masterfully-conceived collection of ten intermediate to moderately-advanced four-mallet marimba solos (all unaccompanied), which will provide pedagogical resonance for the motivated high school student who needs a boost in comprehensive musicianship or as additional repertoire for the younger college/university aged musician who connecting-the-dots between music theory and solo marimba performance.
For each of the ten etudes, there is a full-page of thoughtful remarks by Bunting on the individual composition’s goals of technique, musicianship, analysis, and supplemental repertoire by other well-known composers that would complement the performance/study of Bunting’s works.
For $25.00 and the website’s demonstration recordings, this 36-page solo marimba collection is well worth the investment.
Jim Lambert
Percussive Notes
Vol. 57, No. 4, September 2019 Jim Lambert on Jul 15th 2022