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Seventh Tries (Solo 4-Mallet Marimba)

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Genre: Marimba (4-mallet)
# of Players: 1
Level: Medium | Duration: 4:15
Publisher: C. Alan Publications | Copyright: 2002

Click on images to left for score sample

Price:
$12.00
Item #:
05910
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Notes & Instrumentation
Video
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  • Notes & Instrumentation

    Seventh Tries is a composition written for four-mallet marimba performance. The title is derived from the extensive use of major 7th chords.

    Genre: Marimba (4-mallet) | # of Players: 1
    Level: Medium | Duration: 4:15

    Instrumentation
    Marimba (4-octave)

    Program Notes
    Frock explores several different sticking permutations in the first section of the piece, set completely in 4/4. The following section uses more syncopated rhythms and odd time signatures, such as 3/16 and 5/16. Before the recapitulation, a four-part chorale is interjected.

    Seventh Tries is a composition written for four-mallet marimba performance. The title is derived from the extensive use of major 7th chords as well as tri-tones. The tempo is marked as a quarter note equals 72 bpm, but if preferred, the performer may wish to try a slower tempo with greater room for expression and nuance. The second section, beginning at measure 16, should be aggressive and full of energy. The section at measure 44 may be quite slow, rolling all notes, but played with great expression. The conclusion, starting at measure 67, should be in the same tempo as the beginning, or may be faster and more aggressive if desired.

  • Video

    • Seventh Tries (solo marimba) by George Frock

      Performed by Chris Leavitt, solo marimba Published by C. Alan Publications (www.C-AlanPublications.com) Seventh Tries is a composition written for four-mallet marimba performance. The title is derived from the extensive use of major 7th chords as well as tri-tones. The tempo is marked as a quarter note equals 72 bpm, but if preferred, the performer may wish to try a slower tempo with greater room for expression and nuance. The second section, beginning at measure 16, should be aggressive and full of energy. The section at measure 44 may be quite slow, rolling all notes, but played with great expression. The conclusion, starting at measure 67, should be in the same tempo as the beginning, or may be faster and more aggressive if desired. Instrumentation: Marimba (4-octave)
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