Percussion Ensemble

This unique arrangement of the beautiful & haunting Christmas favorite The Wexford Carol allows you to feature either a singer (mezzo soprano or soprano) or instrumental soloist (trumpet, clarinet, oboe, soprano...

This unique arrangement of the beautiful & haunting Christmas favorite The Wexford Carol allows you to feature either a singer (mezzo soprano or soprano) or instrumental soloist (trumpet, clarinet, oboe, soprano...

This unique arrangement of the beautiful & haunting Christmas favorite The Wexford Carol allows you to feature either a singer (mezzo soprano or soprano) or instrumental soloist (trumpet, clarinet, oboe, soprano...

The Whole Toy Laid Down was inspired by an extended daydream about a mechanical wind-up toy. With that as a starting point, my goal was to fuse the energy of rock style drumming with classical performance technique,...

This album features Nathan Daughtrey's arrangements from his "Yuletide Marimbist, Vol. 1" collection, as well as three of his holiday marimba quartets. Nathan Daughtrey, solo marimbaGuests include: Wiley Arnold Sykes,...

There and Back is a palindromic study in minimalism. This work, an exact palindrome, develops an insistent five-note motif over time (going there) and then reverses back all the way to its beginning (coming back). This work...

There and Back is a palindromic study in minimalism. This work, an exact palindrome, develops an insistent five-note motif over time (going there) and then reverses back all the way to its beginning (coming back). This work...

There, Their, They’re is a three-movement work for percussion quartet using minimal instrumentation. The prevailing time signature of each movement is based on the number of unique characters in each word of its title...

There, Their, They’re is a three-movement work for percussion quartet using minimal instrumentation. The prevailing time signature of each movement is based on the number of unique characters in each word of its title...

Orchestrated for seven players—three keyboard voices, three non-pitched percussion parts, and bass guitar or a second marimba voice—These Are Odd Times is an accessible work ideal for students, directors, and...

Orchestrated for seven players—three keyboard voices, three non-pitched percussion parts, and bass guitar or a second marimba voice—These Are Odd Times is an accessible work ideal for students, directors, and...

These Violent Delights is a quartet that experiments in control and chaos. Each section offers just enough time to feel the groove before slowly devolving into a jumbled mess, then suddenly everything stops and begins again...

These Violent Delights is a quartet that experiments in control and chaos. Each section offers just enough time to feel the groove before slowly devolving into a jumbled mess, then suddenly everything stops and begins again...

They May Be Listening gives a furtive, secret agent vibe as it weaves in and out of layers and utilizes whispering by the players throughout. Each mallet instrument is paired with a snare drum that intermittently shares its...

They May Be Listening gives a furtive, secret agent vibe as it weaves in and out of layers and utilizes whispering by the players throughout. Each mallet instrument is paired with a snare drum that intermittently shares its...

Prather’s superstition for the number thirteen found its way into a percussion sextet that is groovy, lyrical, and allows the freedom for players to express themselves through improvisation! The backbone of this 7-part...