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Genre: Solo Marimba (4-mallet)
# of Players: 1
Level: Medium | Duration: 9:00
Publisher: C. Alan Publications | Copyright: 2020
Download mp3 | Click on images to left for score sample
Outback Suite is a suite of three pieces that can be performed together or as short standalone works. Each movement elicits a scene from the beautiful and diverse Australia. Filling a void in early four mallet literature, these pieces focus on developing core 4+mallet technique while sounding like recital works rather than etudes. Utilizing a 4-octave range, these pieces are accessible to most marimbists.
Genre: Solo Marimba (4-mallet) | # of Players: 1
Level: Medium | Duration: 9:00
Instrumentation
Marimba (4-octave)
Program Notes
Outback Suite is a suite of three pieces that can be performed together or as short standalone works. Each movement elicits a scene from the beautiful and diverse Australia.
Filling a void in early four mallet literature, these pieces focus on developing core four mallet technique while sounding like recital works rather than etudes. Utilizing a 4-octave range, these pieces are accessible to most marimbists.
The driving rhythms of Boomerang focus on the double vertical stroke as well as single independent strokes, while the joyous melodies of K’gari (the world’s largest sand island) concentrate on combining double lateral strokes with double verticals. The Never, Never (the vast remote area of the Australian Outback) uses a free rhythmic style to enhance the players musicianship in performing four mallet rolls and using rubato phrases to express themselves musically.
Outback Suite” consists of three pieces that can be performed together or as short standalone works. Each movement seeks to elicit a scene from Australia. In her program notes, Amanda Sycamore states that the pedagogical intention of these pieces is to “focus on developing core four-mallet technique while sounding like recital works.”
Composing for a 4-octave marimba is also a definite plus, as it allows for more accessibility. The three movements primarily focus on double stops, rotation strokes, rolls, alternating strokes, and single-mallet playing. Each movement presents musical challenges including dynamic and tempo changes, shaping of repeated material, and ample room for expression, particularly in the “freely” sections of movement two, “The Never, Never.” Each movement is tonal and between approximately two and four minutes in length, adding to the accessibility for many students, teachers, and audience members.
It is difficult to find quality four-mallet marimba literature for students early in their development, so “Outback Suite” is a very welcome collection of works. I plan to use it with my own students, and highly recommend it to others!
Joseph Van Hassel
Percussive Notes
Vol. 59, No. 4, August 2021 Joseph Van Hassel on Jun 30th 2022