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Daphne's Nocturne - Gabe Musella [DIGITAL SET]

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Genre: Percussion Ensemble + Optional Handbells
# of Players: 12-13 + Optional Handbell Choir
Level: Intermediate | Duration: 7:00
Publisher: C. Alan Publications | Copyright: 2026



Price:
$50.00
Item #:
37390D
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Notes & Instrumentation
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  • Notes & Instrumentation

    Daphne's Nocturne is a lullaby for large percussion ensemble with optional handbell choir that incorporates a Brahms lullaby, Sleep Baby Sleep, Stephen Foster's Beautiful Dreamer, and Twinkle, Twinkle Little Star. Musella's orchestration creates a dreamy, mesmerizing atmosphere.

    Genre: Percussion Ensemble + Optional Handbells | # of Players: 12-13 + Optional Handbell Choir
    Level: Intermediate | Duration: 7:00

    Instrumentation
    Conductor's Score (8.5"x11" spiral bound)
    Handbells (may substitute Vibraphone with contrasting mallets)
    Crotales (2 octaves)
    Bells & Chimes
    Vibraphone 1
    Vibraphone 2
    Marimba 1 (4.3-octave)
    Marimba 2 (4-octave)
    Marimba 3 (5-octave)
    Timpani (4 drums)
    Percussion 1:Suspended Cymbal, Ride Cymbal, Splash Cymbal, Sizzle Cymbal, Ice Bell
    Percussion 2:Suspended Cymbal, Tambourine, Snare Drum, Mark Tree
    Percussion 3:Sleigh Bells, Egg Shaker, Bongos
    Percussion 4: LP Soft Shake (or similar), Cajón, Rainstick

    Program Notes

    Daphne's Nocturne was commissioned by the Liberty Hill High School Percussion Ensemble and their conductor, Justin Zimerman, on the occasion of their selection to perform at the 2025 Music For All National Percussion Festival in Indianapolis. It is dedicated to his daughter. The work incorporates a Brahms lullaby, "Sleep Baby Sleep," Stephen Foster’s "Beautiful Dreamer," and "Twinkle, Twinkle Little Star" with original material to create a graceful, elegant texture set mostly in compound time.

    The use of a handbell choir and soft rhythmic instruments aids in creating a dreamy, mesmerizing atmosphere. The work begins with the Brahms canon set to mimic a music box or carillons a musique which translates into “chimes of music.” This orchestration, always in A major, returns in the middle and at the conclusion of the piece. The surrounding segments, in d minor, utilize fragments of the aforementioned works. The music should flow like water and remain lyrical at all times.

    The composer is grateful to Mr. Zimerman, a Spring High School alumnus, for the opportunity. Mr. Musella also thanks long-time associate Brenden Steber for his assistance with this project.

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