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Genre: String Orchestra with Optional Percussion
Series: Diamond Orchestra Series
# of Players: 8-8-5-5-5-7
Level: 5 | Duration: 6:35
Publisher: C. Alan Publications | Copyright: 2023
Download mp3 | Click on images to left for score sample
Written for string orchestra with optional percussion ensemble & rhythm section, Chimera No. 3 was inspired by a fire-breathing creature from Greek mythology, often depicted as part lion, part goat, and part serpent. In this programmatic work, the Chimera first presents itself as all of its parts, later transforming seamlessly into the three individual animals. The middle sections in the piece are a depiction of the different characteristics each animal possesses. At the conclusion of the work, the Chimera theme returns, and the beast is back to its original form.
Genre: String Orchestra with Optional Percussion | # of Players: 8-8-5-5-5-7
Series: Diamond Orchestra Series
Level: 5 | Duration: 6:35
Instrumentation
Violin I
Violin II
Viola
Cello
Contrabass
Optional Rhythm Section
Piano
Electric Bass
Drum Set
Optional Percussion Parts
Percussion 1: Snare Drum, Bongos, Cowbell, Claves, Hi-Hat, Xylophone, Suspended Cymbal
Percussion 2: Bass Drum, Tam-Tam, China Cymbal, Mounted Tambourine, Cowbell, Guiro
Percussion 3: Low Tom, Cowbell, Metal Plate, Woodblock, Splash Cymbal, Maracas
Percussion 4: 4 Timpani, Slapstick
Program Notes
Originally conceived as a percussion trio in 2008, and arranged for mixed instrument chamber ensemble in 2010, Chimera No. 3 has been reworked and expanded into a dynamic work for string orchestra and percussion. An exciting piece to perform, players are taken through a wild ride of changing time signatures, metric modulations, lyrical passages, and extended techniques. All the while maintaining a jazz, pop, and Latin-influenced groove.
Chimera No. 3 was inspired by a fire-breathing creature from Greek mythology, often depicted as part lion, part goat, and part serpent. In this programmatic work, the Chimera first presents itself as all of its parts, later transforming seamlessly into the three individual animals. The middle sections in the piece are a depiction of the different characteristics each animal possesses. At the conclusion of the work, the Chimera theme returns, and the beast is back to its original form.
Reminiscent of the unique, shape shifting, hybrid creature, the changing time signatures and metric modulations in Chimera No. 3 keep the players and audience on their toes. At the same time, the use of extended techniques by the strings help to create a musical palette that evokes the characteristics of each individual animal. The theme of the work is definitely inspired by the mythological Chimera, but the essence of the piece also encapsulates an alternative definition of a chimera – something that is illusive, imaginative, implausible, or dazzling.
Chimera No. 3 was composed in 2019 for The American Youth String Ensemble and its director Laura Cahn. The work is dedicated to all of my amazing students who have played excerpts and elements of this piece for over 10 years. You have helped the musical ideas live on, and this composition would never have been possible without you.
–D.W.