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Genre: Marimba (4-mallet)
# of Players: 1
Level: Medium | Duration: 15:30
Publisher: C. Alan Publications | Copyright: 2020
Download mp3 | Click on images to left for score sample

This collection of three solos for marimba explores three distinctive moods and characters. They may be performed as a set or as individual solos.
Genre: Marimba (4-mallet) | # of Players: 1
Level: Medium | Duration: 15:30
Instrumentation
Marimba (5-octave)*
*The third solo, "Soar," may be performed on a 4.3-octave marimba.
Program Notes
Prelude: Aggressively Happy was written to serve as a “high octane,” aggressive opener to concerts. Programmatically, this piece represents people who are so immersed in their own happiness that they seem to emit joy like sunlight wherever they go. We all know of people like this in our own lives, but I am lucky enough to spend most of my time with someone who is exactly this type of person. My wife, Caitlin Clayson, positively radiates joy and happiness wherever she happens to find herself on any particular day. Throughout my many years knowing Caitlin, I have seen her put aside her own problems again and again for the sake of helping others, and do it with a smile on her face. She is truly my biggest inspiration, and this piece is dedicated to her.
Aria: Amidst the Anguish is a piece for 5.0-octave marimba that I wrote to serve as a change of pace in recitals. There is nothing happy in this piece, but instead a musical portrayal of a person who struggles with extreme depression after the loss of a loved one. Someone who feels that they struggle just to exist—whose life seems merely to pass them by day by day with no real meaning. It is a portrayal of the pain and emptiness that the death of a loved one brings. The piece is very slow and often seems to wander around the same thematic material while having no particular end goal in mind. This effect expresses the endless hopelessness and “living in a loop” that grief and depression can bring. Like the sudden loss of loved ones, this piece offers very little solace or resolution, only the sad and terrible realization that a piece of your life is now gone forever and you will never be quite the same. It is dedicated to Crystal Kelley and her family. Crystal was killed in a car accident only a few months after her 16th birthday. Though her memory lives on, the holes that her death left in her family’s hearts can never truly be filled.
Fantasy: Soar! is an easy to intermediate solo for 4.0-octave marimba. I wanted to write an attainable challenge for younger players while still being fun to play and to listen to. Its duration is slightly under 5 minutes, which makes it a great choice for recital programs, festivals, and jury examinations. Soar begins with a joyful, spirited theme in A Major, with a melody presented over an ostinato. It then transitions to a second theme in a slow and lyrical chorale, giving performers plenty of opportunity for dynamic and lyrical expression. Finally, the piece returns to the original theme, at first lifted to E Major before modulating back to A major for a buoyant, energetic finish. The bright, fluid melodies make it an enjoyable piece to learn and perform, while also serving as a good technique builder for younger players. Soar includes utilization of single independent strokes, double vertical strokes, double lateral strokes, multi-manual playing, and traditional rolls. It is my hope that this piece helps marimbists “soar” to new heights in their playing!
- R.C.
“Character Studies” is a new solo made up of three movements, with each representing a different mood. Each movement would be perfectly suited as a stand-alone piece in a recital. “Prelude: Aggressively Happy” is a fun and energetic movement that moves around different chord progressions in an odd-meter groove. A middle chorale section follows along the same chord progressions, and the piece ends with a return to the original groove. This movement would be a great way to start a recital, or even as a fun closer. “Aria: Amidst the Anguish” explores the hopelessness of losing a loved one. The work is slow with a mournful feel in F minor. The middle section employs the use of double alternating strokes, which would be an excellent beginning to one-handed roll work. “Fantasy: Soar!” is groove-based and written at an intermediate level. It uses only double laterals, single independent, and double vertical strokes, making it excellent for younger players. The groove is strong, and would be a sure way to get the audience excited.
Overall, Robert Clayson has given us a piece with three very distinct movements. This work would go well on an undergraduate recital. I think a great way to present it would be to break it up throughout the recital, as opposed to playing it as one piece. The moods of the pieces will help students to not only explore the technical aspect of marimba playing, but also to work on musicality. This piece, whether played as whole or just certain movements, is sure to be an audience pleaser.
Josh Armstrong
PERCUSSIVE NOTES
VOL. 59, NO. 3, JUNE 2021 Josh Armstrong on Jun 29th 2022