Chant

The opening motive of Chant is stated in the solos in the trombone and horn. Shifting to a faster tempo, the theme goes through a variety of keys and instrumentation, placing heavy technical demands upon the entire ensemble. The atmosphere changes, as the chant theme is transformed into one hymn-like character, enhanced by the full ensemble with a variety of shimmering timbres in the piano and percussion. After an intense transition, the chant theme reappears, concluding the work with a sense of hope and jubilation.

Genre: Band | # of Players: Standard
Level: 5 | Duration: 8:10

Instrumentation
Piccolo
Flute 1/2
Oboe 1/2
Bb Clarinet 1
Bb Clarinet 2
Bb Clarinet 3
Bass Clarinet
Bassoon 1/2
Alto Saxophone 1/2
Tenor Saxophone
Baritone Saxophone

Bb Trumpet 1
Bb Trumpet 2
Bb Trumpet 3
Horn 1/2
Horn 3/4
Trombone 1
Trombone 2/3
Euphonium
Tuba

Piano

Timpani
Percussion 1 (vibraphone, xylophone)
Percussion 2 (bells, marimba)
Percussion 3 (chimes, snare drum)
Percussion 4 (bass drum, suspended cymbal, crash cymbals, tambourine, triangle)
Percussion 5 (tam-tam, woodblock, temple blocks, suspended cymbal)

Program Notes
The opening motive of Chant is stated in the solos in the trombone and horn. The ensemble begins a long crescendo, building to a powerful conclusion to the introduction. Shifting to a faster tempo, the theme goes through a variety of keys and instrumentation, placing heavy technical demands upon the entire ensemble. The atmosphere changes, as the chant theme is transformed into one hymn-like character. This idea is stated initially by the woodwinds and is soon enhanced by the full ensemble with a variety of shimmering timbres in the piano and percussion. The transition gradually grows in intensity, while progressing through a number of keys. The chant theme reappears in the new key of F major, concluding the work with a sense of hope and jubilation. Chant is the third movement of the Symphony for Winds and Percussion, composed in 1997.