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Bubblegum (Perc Ens 7-8+)

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Genre: Percussion Ensemble
# of Players: 7-8+
Level: Medium | Duration: 3:10
Publisher: C. Alan Publications | Copyright: 2020

Download mp3 | Click on images to left for score sample

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$32.00
Item #:
27190
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Notes & Instrumentation
Video
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  • Notes & Instrumentation

    Bubblegum is intended to captivate the simplicity in form, chord structure, and groove of those early rock and roll hits released by Motown in a percussion ensemble setting. Pulling from the style and even chord progressions from popular songs of the day, players and audiences will love it!

    Genre: Percussion Ensemble | # of Players: 7-8+
    Level: Medium | Duration: 3:10

    Instrumentation
    Bells
    Xylophone
    Vibraphone
    Marimba 1 (4-octave)*
    Marimba 2 (4.3-octave)*
    Electric Bass (optional)
    Auxiliary Percussion (Tambourine, Wind Chimes)
    Drum Set

    *The two marimba parts may be performed on one 4.3-octave instrument.

    Program Notes
    There is something refreshingly familiar and nostalgic about rock/pop music from the early-1960s. In a time where the music industry looked to take back the mainstream audiences from the first wave of controversial rockabilly musicians (Elvis, Buddy Holly, Chuck Berry, etc.), a record label in Detroit, Michigan called Motown created music by African American artists that could be eagerly received by audiences of all types. Groups such as the Temptations, the Shirelles, the Four Tops, and the Supremes topped the airwaves with simple but catchy hit after hit from the studio with the sign "Hitsville U.S.A." above the entrance.

    Bubblegum is intended to captivate the simplicity in form, chord structure, and groove of those early rock and roll hits released by Motown in a percussion ensemble setting. The A section features the harmonic progression from "Sugar Pie Honey Bunch" released by the Four Tops and the contrasting B section uses the chords (adapted slightly) from the bridge section of "Will You Still Love Me Tomorrow" recorded by the Shirelles. Neither song's melody or bass line is used, but you will hopefully notice a similar character in all elements of this piece relative to the music of the era.

    The EDGE Series
    The EDGE Series is a collection of percussion ensembles featuring many popular musical styles – from funk to calypso to techno. It was developed to excite a wider range of ensembles, directors, and audiences while retaining the level of integrity you have grown to expect from C. Alan Publications.

  • Video

    • Bubblegum (percussion ensemble 8+) - Josh Gottry

      "Bubblegum" is intended to captivate the simplicity in form, chord structure, and groove of those early rock and roll hits released by Motown in a percussion ensemble setting. Pulling from the style and even chord progressions from popular songs of the day, players and audiences will love it! Copyright © 2020 C. Alan Publications, LLC | All Rights Reserved http://c-alanpublications.com/bubblegum/
  • Product Reviews

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    1. Percussive Notes New Literature Review

      “Bubblegum” ... is pop-centered and is sure to be an enjoyable and educational experience for the middle school percussionists at whom this piece is aimed. With the possible exception of the optional electric bass guitar, the instrumentation of “Bubblegum” should be readily accessible to the vast majority of middle school band programs, and the parts themselves are tailored to the needs and ability level of middle school students. The most exposed keyboard parts (in the bells and vibraphone) are the easiest technically, and the “choppier” (eighth-note based) xylophone and marimba parts are repetitive enough that students will get plenty of bang for their practice time buck.

      Perhaps the most exciting opportunity for students might be the chance to try their hand at bass guitar or drum set in a concert setting, but rest assured that there will be plenty of sly winks and nods among their parents in the audience as they tap their feet along to familiar chord progressions and textures unabashedly borrowed from old Motown favorites like “I Can’t Help Myself” (aka “Sugar Pie Honey Bunch”) by the Four Tops.

      Although not mentioned as a possibility in the performance notes, I would also encourage educators to consider taking an extra repeat or two and letting an advanced student (likely from the high school jazz band) improvise over the chord changes of the work, which are not given in the score but would be fairly easy to figure out. Similarly, it would take little effort to add in opportunities for the bassist and/or drum set player to take a solo as well. Therefore, “Bubblegum” is exactly what I would want from a middle school piece: fun, educational, flexible, and accessible.

      Brian Graiser
      PERCUSSIVE NOTES
      VOL. 59, NO. 3, JUNE 2021
      on Jun 29th 2022

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