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America, the Beautiful (6-Part Flex Band Gr. 3)

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Genre: 6-Part Flex Band
Series: SpectraFlex Band Series
# of Players: 6+
Level: 3 | Duration: 3:00
Publisher: C. Alan Publications | Copyright: 2022


Download mp3 | Click on images to left for score sample

Price:
$60.00
Item #:
24265
Quantity:
Notes & Instrumentation
Video
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  • Notes & Instrumentation

    David Gillingham’s gorgeous setting of the ever-popular America, the Beautiful seeks to preserve the beauty of the hymn, while simultaneously transcending some of the harmonies and scoring we have grown to expect over the years, without straying too far from its simple beauty.

    Genre: 6-Part Flex Band | # of Players: 6+
    Series: SpectraFlex Band Series
    Level: 3 | Duration: 3:00

    Instrumentation
    Part 1
    Flute
    Oboe
    B-flat Clarinet

    Part 2
    Flute
    Oboe
    B-flat Clarinet
    Alto Saxophone

    Part 3
    B-flat Clarinet/Trumpet
    Alto Saxophone
    F Horn

    Part 4
    B-flat Clarinet/Trumpet
    Alto Saxophone
    F Horn

    Part 5
    Tenor Saxophone
    F Horn
    Trombone/Euphonium/Bassoon

    Part 6
    B-flat Bass Clarinet
    Baritone Saxophone
    Trombone/Euphonium/Bassoon
    Tuba
    Double Bass

    Optional Percussion Timpani (4 drums)
    Percussion 1: Bells, Bass Drum
    Percussion 2: Vibraphone, Chimes
    Percussion 3 [2 players]: Suspended Cymbal, Crash Cymbals

    Program Notes
    In 1882, Samuel A. Ward wrote the music for the hymn, O Mother dear, Jerusalem. Three years later, in 1895, Katherine Lee Bates published her poem “America.” In 1910, it was combined with Ward’s music and published as America, the Beautiful. Sadly, Samuel Ward died in 1903 and never knew the national prominence his music would achieve.

    There have been numerous arrangements of this inspirational patriotic hymn since its birth and there will certainly be many more, as it is a favorite of both the American people and many composers. While this arrangement seeks to preserve the beauty of the hymn, it transcends some of the harmonies and scoring we have grown to expect over the years, without straying too far from its simple beauty. Beginning in B-flat major, the introduction utilizes motives from the 1st and 2nd phrases of the hymn with a transient modulation to A major and then back to B-flat major for the first verse of the hymn.

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