With Soloist(s)

Infused with color and texture, Stephen Anderson's Concerto for Percussion & Wind Ensemble meshes the band and soloist with skill. Utilizing marimba and vibraphone in the first and second movement, the solo part is...

The Concerto for Percussion Solo and Wind Ensemble is in three connected movements and features the soloist on a variety of instruments, including marimba, vibraphone, bells, and crotales and a large percussion battery with...

Archer's three-movement concerto for solo piano and wind ensemble features brilliant scoring and gorgeous colors throughout, showcasing the versatility of the instrument. The piece even introduced the cello to the ensemble...

Written with the virtuoso in mind, the Concerto for Piano, Winds & Percussion is perfect for the modern ensemble. The first movement exudes an urgency scored in the rhythms and harmonies throughout, while the second...

Heroic, plaintive, and energetic describe the three movements of this modern Concerto for Saxophone & Wind Symphony. Written for the modern-day soloist and a band looking for a challenge in contemporary harmonies. Genre:...

The nature of the timpani means that musical development is rhythmic rather than tonal. In the first movement, a broad theme is announced by the timpani themselves, and immediately echoed and modified by the full wind band...

Johann Baptist Neruda's concerto was composed originally for the natural horn and pitched in the high register. It is now rarely performed on anything other than an E flat or B flat trumpet.Genre: Band | # of Players:...

This expansive and mature work details Archer's vision of an "every tubist" traveling through life's up and downs. Scored for a one-on-a-part wind ensemble, it would make a perfect feature for a professional or college...

Commissioned by Dr. Lisa Rogers of Texas Tech University, the two-movement Concerto for Vibraphone was inspired by two opposing poems by Pablo Neruda - one depicting a rainy night (Night's Song) and the other a bright &...

With the “Brandenburg Concerto No. 2 in F Major” by J.S. Bach serving as a model for the inspiration, spirit and vitality of this work, Gillingham has created a work in the concerto grosso style but with a modern...

So much music in a single (fast-slow-fast) movement. This 13-minute concerto should be top priority for the serious marimbist. Perfect for a university concerto competition; perfect for the professional. The marimba part is...

Taylor’s Concerto No. 1 for Marimba displays confident youth as the composer ambitiously recalls the Romanticism of the past. The work is a large-scale undertaking for the soloist and the ensemble. Taylor has truly...

An intriguing, engaging, and challenging piece. Gillingham's Concerto is a must-try for all marimbists! The breakneck first movement sets a rapid pace for the turbulent musical passages throughout. Musical themes return in...

An intriguing, engaging, and challenging piece. Gillingham's Concerto No. 2 for Marimba is a must-try for all marimbists! The breakneck first movement sets a rapid pace for the turbulent musical passages throughout. Musical...

A modern, improvisatory work that utilizes contemporary harmonies and techniques, Crazy Diamonds Shining was written for the modern-day soloist and a band looking for a challenge. Genre: Solo Clarinet with Band | # of...

Depicting an Aztec myth, the music at the opening of Cuico is fairly abstract and fragmented, with a mixture of tonal and atonal ideas exchanged between soloists and ensemble. Next is a furious dance, featuring each...