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Moorside Suite for Concert Band (Holst)

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Genre: Band
# of Players: Standard
Level: 4.5 | Duration: 15:00
Publisher: G & M Brand | Copyright: 1983

Download mp3 | Click on images to left for score sample

Price:
$125.00
Item #:
R10013
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Notes & Instrumentation
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  • Notes & Instrumentation

    A masterwork for concert band. Holst's Moorside Suite was composed in 1928, near the end of the composer's life, and is a masterpiece of his maturity. Originally for brass band, Moorside Suite retains the folk-song charm that is representative of Holst.

    Genre: Band | # of Players: Standard
    Level: 4.5 | Duration: 15:00

    Instrumentation
    Piccolo
    1st Flute
    2nd Flute
    Oboe
    Eb Clarinet*
    1st Bb Clarinet
    2nd Bb Clarinet
    3rd Bb Clarinet
    Eb Alto Clarinet*
    Bb Bass Clarinet
    1st Bassoon
    2nd Bassoon*
    1st Eb Alto Saxophone
    2nd Eb Alto Saxophone
    Bb Tenor Saxophone
    Eb Baritone Saxophone*

    1st F Horn
    2nd F Horn
    3rd F Horn
    4th F Horn
    1st Bb Trumpet
    2nd Bb Trumpet
    1st Bb Cornet
    2nd Bb Cornet
    3rd Bb Cornet
    1st Trombone
    2nd Trombone
    3rd Trombone
    Euphonium
    (TC Baritone)
    Tuba

    String Bass*

    Timpani
    Percussion [2 players] (snare drum, bass drum, cymbals)
    Mallet Percussion (bells, chimes)

    Parts marked with an asterisk (*) are NOT ESSENTIAL, although their presence will obviously enable a fuller realization of the composer's intention to be achieved.

    Program Notes
    A Moorside Suite is a masterpiece of Holst's maturity. Written in 1928, 6 years before his death, it achieves a synthesis of his creative talent as a composer with the strong folk-song influences of 20 years earlier.

    The title of the work alludes to a country setting but does not describe an exact location, and this is mirrored in the musical material. Folk-song influence is apparent but not overt.

    The work was originally for brass band, commissioned for the National Brass Band Championships held at the Crystal Palace, London, Englan. Denis Wright was a musical scholar, and the transcription was carried out either during Holst's lifetime or shortly after his death in 1934. The score was not published until 1983, and has been re-edited by Geoffrey Brand. Interestingly, Holst himself always intended the work to be transcribed for 'Military Band' and a 1st Movement and some bars of the 2nd Movement exist in manuscript in the British Library

    The opening Scherzo belies the serious nature of the work. It is a light, airy 6/8 in which the initial statement, with its all-important leap of a fifth, is first heard on clarinet and alto saxophone. This interval of a fifth is distilled, as if to draw our attention to it, before a fortissimo 8 bars in which the opening theme is repeated - the only fortissimo passage in the whole of the 1st movement.

    Holst achieves a 'folky,' almost modal, feel in the melody by allowing the 6th of the scale to remain natural.

    Whereas the 1st movement has a sylph-like delicacy, the second is at rest. Tranquil, especially in the beadth of the chorale, its simple key structure distills the tonal tension inherent in the tonic/dominant polarity.

    The oboe opening (again delineating the rising fifth of the first movement) is in F minor: a short cornet echo leads to C major for the first statement of the chorale. This leads back to F minor and a subtle development of the opening followed by the Chorale again this time in F minor and now allowed to build to a fortissimo climax before the movement fragments around the falling 6th of the opening.

    The peace is shattered by a triumphant March. We are in Bb minor again, and this movement is built on thematic contrasts: firstly the 'pesante' theme, then a hammered fanfare, followed by a playful leggiero tune

    Like the Scherzo, this March has a Trio, the melody of which bears a definite resemblance to the Chorale of the 2nd movement. Most certainly, this linking device was subconscious on Holst's part, but with the predominant use of the interval of a fifth, it helps to explain the feeling that the Suite is thematically tightly-knit.

  • Video

    • A Moorside Suite by Holst

      Brooklyn College Conservatory of Music Wind Ensemble conducted by Jeff Ball on March 19, 2014 performing A Moorside Suite by Holst
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