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Limerick Daydreams (percussion ensemble)

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Genre: Percussion Ensemble
# of Players: 10
Level: Medium Difficult | Duration: 12:00
Publisher: C. Alan Publications | Copyright: 2005

Download mp3 | Click on images to left for score sample

Price:
$65.00
Item #:
10510
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Notes & Instrumentation
Video
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  • Notes & Instrumentation

    The work opens rather mysteriously with fragments of the tune thrown about the ensemble and echoes of the bodhran (a traditional Irish drum) emulated by a dampened bass drum. A raucous drumming section ensues and gives way to the first full presentation of the reel. What follows is a series of melodic, rhythmic, and harmonic transformations of the Irish tune – some quite playful, some beautifully melancholy, and some majestically resolute.

    Genre: Percussion Ensemble | # of Players: 10
    Level: Medium Difficult | Duration: 12:00

    Instrumentation
    Percussion 1 (Bells, Tambourine)
    Percussion 2 (Chimes, Snare Drum, Xylophone)
    Percussion 3 (Vibraphone, Temple Blocks)
    Percussion 4 (Vibraphone, Bongos, Congas)
    Percussion 5 (4-octave Marimba, Medium Concert Tom, Tam-Tam)
    Percussion 6 (4.3-octave Marimba, Medium Low Concert Tom)
    Percussion 7 (4.3-octave Marimba, Low Concert Tom)
    Percussion 8 (5-octave Marimba, Low Concert Tom)
    Percussion 9 (Wind Chimes, Suspended Cymbal, Small China Cymbal, Sandblocks, Triangle)
    Percussion 10 (Bass Drum, Tam-Tam)

    Program Notes
    Limerick Daydreams was the 2nd Place Winner of the 2005 Percussive Arts Society International Composition Contest. The work is based on the Irish reel, Highway to Limerick. The work opens rather mysteriously with fragments of the tune thrown about the ensemble and echoes of the bodhran (a traditional Irish drum) emulated by a dampened bass drum. A raucous drumming section ensues and gives way to the first full presentation of the reel. What follows is a series of melodic, rhythmic, and harmonic transformations of the Irish tune – some quite playful, some beautifully melancholy, and some majestically resolute.

  • Video

    • Limerick Daydreams, by Nathan Daughtrey

      Performed by the University of Oklahoma Percussion Ensemble Dr. Lance Drege, conductor Limerick Daydreams Copyright © 2004 C. Alan Publications (www.c-alanpublications.com) Also be sure to check out the performance discussion with Nathan Daughtrey! http://youtu.be/mjKdsZW_huY ABOUT THE PIECE: Dedicated to Dr. Cort McClaren and the UNCG Percussion Ensemble, Limerick Daydreams was the 2nd Place Winner of the 2005 Percussive Arts Society International Composition Contest. The 12-minute work scored for 10 percussionists is based on the Irish reel, Highway to Limerick. The work opens rather mysteriously with fragments of the tune in the keyboard instruments and echoes of a bodhran (a traditional Irish drum) emulated by a dampened bass drum. A raucous drumming section ensues and gives way to the first full presentation of the reel in the xylophone. What follows is a series of melodic, rhythmic, and harmonic transformations of the Irish tune -- some quite playful, some beautifully melancholy, and some majestically resolute. ABOUT THE COMPOSER: Percussionist, composer, & educator Nathan Daughtrey (b. 1975) is a musical chameleon who uses his wide-ranging talents to adapt comfortably to a variety of environments. As a performing artist and clinician for Yamaha percussion, Vic Firth sticks and mallets, and Zildjian cymbals, he has performed and given masterclasses and clinics throughout the United States and across three continents. Nathan has recorded two solo marimba albums to date -- "Spiral Passages" and "The Yuletide Marimba" -- as well as several chamber music albums, including a recent collaboration with euphoniumist Brian Meixner titled "Praxis." With over 60 publications for percussion ensemble, concert band, orchestra, chamber ensembles, and soloists as well as an ever-growing number of commissions, Nathan balances his performing with composing, and to great acclaim. He is the only composer in the history of the Percussive Arts Society International Composition Contest to procure both 2nd and 3rd place in the same year with his percussion ensemble works "Limerick Daydreams" and "Adaptation," respectively. Nathan's compositions appear regularly on performances at PASIC, the Midwest Band and Orchestra Clinic, the Bands of America National Percussion Festival, and in concert halls and other performance venues around the world. His works have also been recorded on several albums by respected performers, including the FSU Percussion Ensemble, the Showa Wind Symphony conducted by Ray Cramer, the RoseWind Duo, and Mississippi State University. Additionally, three of his compositions for wind ensemble have been featured in three volumes of "Teaching Music Through Performance in Band." For more information: http://goo.gl/sjqfyi ABOUT THE ENSEMBLE: One of the most highly acclaimed percussion programs in the United States, the Percussion Area at the OU School of Music is recognized for excellence in the areas of pedagogy, performance, recording, commissioning, and publishing. OU percussion graduates hold positions as performers and academicians throughout the country. An associate professor in the School of Music at the University of Oklahoma, Lance Drege directs the percussion program, teaches applied percussion, conducts the OU Percussion Orchestra, and teaches other percussion related courses. From 1997-2002, Dr. Drege also served as Assistant to the Director for the School of Music. Prior to coming to OU, Drege taught public school instrumental music in Hobart, OK and Elk City, OK.
    • Limerick Daydreams: Discussion with Nathan Daughtrey

      Nathan Daughtrey discusses his percussion ensemble piece, "Limerick Daydreams" (2004). Including performance excerpts by the University of Oklahoma Percussion Orchestra, under the direction of Dr. Lance Drege. ABOUT THE PIECE: Dedicated to Dr. Cort McClaren and the UNCG Percussion Ensemble, Limerick Daydreams was the 2nd Place Winner of the 2005 Percussive Arts Society International Composition Contest. The 12-minute work scored for 10 percussionists is based on the Irish reel, Highway to Limerick. The work opens rather mysteriously with fragments of the tune in the keyboard instruments and echoes of a bodhran (a traditional Irish drum) emulated by a dampened bass drum. A raucous drumming section ensues and gives way to the first full presentation of the reel in the xylophone. What follows is a series of melodic, rhythmic, and harmonic transformations of the Irish tune -- some quite playful, some beautifully melancholy, and some majestically resolute. ABOUT THE COMPOSER: Percussionist, composer, & educator Nathan Daughtrey (b. 1975) is a musical chameleon who uses his wide-ranging talents to adapt comfortably to a variety of environments. As a performing artist and clinician for Yamaha percussion, Vic Firth sticks and mallets, and Zildjian cymbals, he has performed and given masterclasses and clinics throughout the United States and across three continents. Nathan has recorded two solo marimba albums to date -- "Spiral Passages" and "The Yuletide Marimba" -- as well as several chamber music albums, including a recent collaboration with euphoniumist Brian Meixner titled "Praxis." With over 60 publications for percussion ensemble, concert band, orchestra, chamber ensembles, and soloists as well as an ever-growing number of commissions, Nathan balances his performing with composing, and to great acclaim. He is the only composer in the history of the Percussive Arts Society International Composition Contest to procure both 2nd and 3rd place in the same year with his percussion ensemble works "Limerick Daydreams" and "Adaptation," respectively. Nathan's compositions appear regularly on performances at PASIC, the Midwest Band and Orchestra Clinic, the Bands of America National Percussion Festival, and in concert halls and other performance venues around the world. His works have also been recorded on several albums by respected performers, including the FSU Percussion Ensemble, the Showa Wind Symphony conducted by Ray Cramer, the RoseWind Duo, and Mississippi State University. Additionally, three of his compositions for wind ensemble have been featured in three volumes of "Teaching Music Through Performance in Band." As an educator, Nathan served as a Visiting Lecturer of Percussion for three years at the University of North Carolina at Greensboro, where he taught applied percussion and conducted the Percussion Ensemble. He also served as a sabbatical replacement at the University of Oklahoma, where he taught undergraduate and graduate percussion students and conducted the world-renowned OU Percussion Orchestra. Dr. Daughtrey is currently a Visiting Lecturer of Percussion and Music Composition at High Point University (NC), where he teaches applied lessons, directs the percussion ensemble and works in collaboration with the School of Communication and Department of Dance. ABOUT THE ENSEMBLE: One of the most highly acclaimed percussion programs in the United States, the Percussion Area at the OU School of Music is recognized for excellence in the areas of pedagogy, performance, recording, commissioning, and publishing. OU percussion graduates hold positions as performers and academicians throughout the country. An associate professor in the School of Music at the University of Oklahoma, Lance Drege directs the percussion program, teaches applied percussion, conducts the OU Percussion Orchestra, and teaches other percussion related courses. From 1997-2002, Dr. Drege also served as Assistant to the Director for the School of Music. Prior to coming to OU, Drege taught public school instrumental music in Hobart, OK and Elk City, OK.
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