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Choral No. 2 for Organ (Franck)

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Genre: Band
# of Players: Standard
Level: 5 | Duration: 11:00
Publisher: G & M Brand | Copyright:

Download mp3 | Click on images to left for score sample

Price:
$130.00
Item #:
R10039
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Notes & Instrumentation
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  • Notes & Instrumentation

    Grainger's passionately humanistic setting of Franck's Chorale No. 2 is uniquely suited to the resources of the modern concert band. He did not want the band to sound like an organ. Instead, he created a rich, voice like sonority similar to the orchestral timbre of the D minor Symphony. It is by far his most ambitious scoring.

    Genre: Band | # of Players: Standard
    Level: 5 | Duration: 11:00

    Instrumentation
    Piccolo
    1st Flute
    2nd Flute
    Oboe
    English Horn
    Bassoon
    Contrabassoon
    Eb Clarinet
    1st Bb Clarinet
    2nd Bb Clarinet
    3rd Bb Clarinet
    Eb Alto Clarinet
    Bb Bass Clarinet
    Contrabass Clarinet
    Soprano Saxophone
    Alto Saxophone
    Tenor Saxophone
    Baritone Saxophone
    Bass Saxophone

    1st Cornet
    2nd Cornet
    3rd Cornet
    Trumpets
    1st Horn
    2nd Horn
    3rd Horn
    4th Horn
    1st Trombone
    2nd Trombone
    3rd Trombone
    Euphonium
    Tuba

    String Bass

    Percussion [2 players] (snare drum, crash cymbals, suspended cymbal, bass drum)

    Program Notes
    At the age of 15, César Franck (1822-1890) traveled from his native Belgium to study organ and composition at the Paris Conservatoire. He remained in Paris for the rest of his life, working as a church organist and teaching piano and organ. In 1872, at the age of 50, he was named professor of organ at the Conservatoire. The same year he composed his popular Panis Angelicus, and as a result became more widely known as a composer. During the last eleven years of his life he wrote most of his compositions including the Symphonic Variations, the Violin Sonata, and the Symphony in D Minor. At a time when French music was often light in character, his was serious and profound.

    Franck's final and culminating achievement was the Three Chorals for Organ. The completed manuscript was at his fingertips as the priest arrived to administer last rites.

    The Three Chorals are organized in variation form. They are not as brief as the church chorals of Bach, but rather, extended symphonic compositions. Albert Schweitzer has commented that "the chorale in modern French organ literature means simply a fantasy on a formal, noble theme." The Organ Choral No. 2 fits Schweitzer's description. The music contains references to the D Minor Symphony, Heroic Piece for Organ, and the Violin Sonata, as well as settings of the Christ motive of Franck's The Beatitudes (bar 115 and bar 274).

    The 2nd Choral opens with a chaconne-style bass theme. The melody passes successively through bass and treble voices leading to a lyrical second subject (bar 65). This new theme develops through a series of interspersed interludes arriving at a grand, virtuosic cadenza (bar 127). The chaconne variations resume, continuing to unfold until the first and second themes are combined (bar 195). More intense and complex variants lead to a powerful final statement of the opening theme (bar 259). The music concludes with a tender and poignant coda based on the "Christ motive."

    Grainger's setting of the Choral No. 2 was first performed by the Interlochen Band on July 12, 1942. Grainger conducted. It is interesting to note that five years earlier at Interlochen, Grainger had conducted the 1st Franck Organ Choral in a band arrangement by his friend Ralph Leopold. Leopold's arrangement may have been an impetus for Grainger's setting of the 2nd Choral.

    Quite another factor may have been the composer's apprehension over the onset of World War II. In 1940, Percy and Ella Grainger moved away from their home in White Plains to escape the supposed vulnerability of the New York City area. They chose Springfield, Missouri, presumed safe from enemy air and naval attacks. It is not hard to imaging that he wanted his students to share Franck's healing message of love, hope, reaffirmation, and peace. The Interlochen program cover for the premier features Grainger's picture with the following inscription:

    a man of genius, force and achievement,
    renowned and honored throughout the world-
    who comes to us for the entire season
    with the sweet simplicity of a true gentleman and
    the rare patience of the exceptional teacher,
    with a gigantic intellect projected far beyond our petty problems
    but with a wide and sympathetic understanding
    for the lowliest among us.
    His visit is a privilege we humble hope to merit.

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